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Deep Dive

Deep Dive 11 Nov 2024 - 8 min read
AMI CPD: 1
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Some B2B firms are realising Byron Sharp was right on distinctive assets versus differentiation all along. A slew of recent research underlines that buying committees are increasingly buying on brand, not product features – and they've usually made up their minds before the first marketing qualified lead (MQL) lands with sales, rendering MQLs increasingly redundant. IT firm Logicalis ran the numbers on its own campaigns and found only 21 per cent of its potential customers were even aware of it – and that a single percentage point awareness gain would drive massive revenue growth. Moreover, six in ten of its potential customers couldn't recall a single ad from any of its competitors in the last 12 months – presenting a major opportunity to start optimising to awareness and driving conversion via bolder comms. "Funnily enough, I didn't find much resistance," says head of marketing, Lara Barnett. ABB global digital marketing and content chief Sophie Neate says the engineering giant has dropped MQLs as a KPI altogether and is now getting more joy out of other metrics while creating and personalising content across a much broader range of buying committee stakeholders. Stuart Jaffray, MD of B2B specialist agency Green Hat, urges brands to go all out on distinctive brand assets, brand awareness, mental availability and recall. Plus, forget the answers you wrote in your last ten RFPs and instead look at the questions – and develop content around them. Then the buyers will come to you.

Deep Dive 22 Oct 2024 - 8 min read
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Deep Dive 15 Oct 2024 - 12 min read
AMI CPD: 1
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Deep Dive Library

Deep Dive 28 Nov 2022 - 9 min read
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The intense heat and conjecture coming on the subscription models of Netflix, Stan, Paramount+, Disney+ and beyond may, ironically, not cut so deep for battle-weary publishers if they keep moving fast with new bundled products, content, AI and UX. That’s Mark Reinke’s view, who moved from financial services to the media industry in 2019 and admits to a baptism of fire – publishing is tough, News Corp to many even tougher. Under Reinke, News Corp has launched subscription puzzles, mindfulness and wagering sites, its first crime podcast series with Apple that is casting for a global paid subscription audience, and a younger version of The Australian – The Oz – which looks more like Instagram and has attracted 500,000 younger readers since launching six months ago. Propensity modelling is part of it – Reinke and team have worked out they have 48-72 hours from when a new user arrives to get the experience and content mix right or see their “staircase” to a paying subscription face trouble. And News Corp’s Australian experience is matching – ahead in some areas – what is underway globally among publishers according to Tim Rowell, APAC boss of subscription platform Piano, which counts 3,000 media titles worldwide using its tech. Rowell says editors and journalists have seen many of their assumptions challenged about how audiences consume and behave with content – the old newspaper lifestyle sections are returning as new gold in rebundled digital subscription packs. And there are big lessons for brands, their advertising plans and content marketing investments. Heads-up: move faster, experiment more, repackage content, use AI to find smaller but lucrative emerging audiences and blow up your assumptions.

Deep Dive 21 Nov 2022 - 8 min read
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Deep Dive 14 Nov 2022 - 10 min read
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Deep Dive 7 Nov 2022 - 7 min read
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Deep Dive 1 Nov 2022 - 7 min read
 
Deep Dive 26 Oct 2022 - 8 min read
 
Deep Dive 25 Oct 2022 - 9 min read
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Deep Dive 20 Oct 2022 - 6 min read
 
Deep Dive 17 Oct 2022 - 12 min read
 
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